I'll tell you what it's like it's like
Introducing the theme the river being
Sucked to the sky the Spanish peddler,
The pier the piano the rock the pier
The coins the what it is the what the water
Too quick to think a foghorn a
Distance off a lifting, noise, call, the huge view
The sound the vender the river the sound
It's like the sound the sound
The sky the crest the crescendo the sky the bridge
It's like the bridge, cable wire beam
It's like the man who painted the bridge
The man who painted the bridge the man
Who painted the bridge introducing the theme.

Margo G.


What Was Shared



      It's Sara Louise for the hippie days, a tribute
to Dylan and Kerouac, joints smoked lakeside,

love made in tents, cars driven up to 110 on the Mass Pike traveling from Boston past Seneca Falls, way beyond,
eventually the map became unnecessary­
no strings, no binding ties, only the continually expanding horizon and

open road.

      Years later and they knew they would be separating as second trimester rolled over into third and my mother swelled,

they tried not to argue, eyes kept downshifted, theirs was a dulled domesticity,

and so it was discussed,
decided: if a girl, Sara Louise, for the days of spontaneity
      Sara for Dylan's Sara, his Muse, his Gypsy, and
      Louise, Louise and her hand full of rain, all right, just near
      delicate.

Sara Louise for the youth remembered, the wild, the good, the times
now kept on a shelf as though a souvenir, a momento,
like a snow-globe, brought down only on the rainiest days,
the sleepless nights, fingered for a minute as the snow swirls, settles,
then returned again to the shelf.

           Rumor had it that
           Sara (his muse, the scorpio-sphinx)
           came down one morning to breakfast to find
           Dylan and an Asian model eating pancakes
           sharing the travel section, “If you don't like it
           you can leave” was the explanation.

It was my father who left, taking the fake leather luggage,
the Dylan records, the silver-framed portrait of him and my mother standing
      cliff's edge over Niagara Falls, leaving behind
the key, the bed linens, the fine china,

a joint-custody arrangement signed easily along a dotted line,
the daughter, shared.

Sara F.


The Ant Deity
or, That Summer in Virginia

Ants run wild at your toes, as if you are the idol
from which they seek guidance. Really, it is just the sprinkle
of cracker crumbs that precedes each breath you take,
for we have been talking and eating for hours.
Sometimes I will stare at you and hold my hands
tight against my knees to keep from doing something awkward
like touching you; I do not want to spoil your sanctity,
I do not want to taint your essence with my
verbal catastrophes. And so I sit and
listen; and you speak and hold my heart.
I think of a riddle once told to me by an aunt
“What do ants do on vacation?”
(Nothing, silly! They're ants!)
And I wrestle with impulses telling me to grab you,
to touch my fingers to your shoulders, to let your hair
coil around them, but I resist and avert my
eyes to the ants running under us
and try not
to long.

Crystal B.


Jump Cuts



Jump cuts—
(how someone grows in just one month!)
You look up at me too soon
Pre-ejaculatory
And hopelessly immune
To whatever it is the rest of us catch,
Brings us back to earth,
Makes us rest
You are a blonde bombshell
Opaque and deep-mooned
Sent here by Dr. Seuss to raise hell
A vegetarian who eats meat
A lover of the United States
A bandana-wearing, pot-smoking
Potential alcoholic
Skinny legs and all
A liberally elated gargoyle
With sailboats and steeples
Spread out before you
You pull down your pants
To prove all music is equally ephemeral
A wearer of wife beaters
And hot pink running shorts
European trash,
Gay-sexy, masturbating saint of sorts

Stephanie J.


Being Eaten

  Oh, heck,
It's up to my neck.

—Shel Silverstein

      Amber Torrence has a boa constrictor. I know because I have seen it. She feeds it mice. One time when I was at her house I watched her drop the white squirming mice into its mouth. She held them by their tails and they wiggled like my baby brother the time I picked him up by his leg and held him over his crib. He screamed. Amber said that sometimes the mice bite her, and she showed me the scars on her fingers.
      I would like a boa constrictor, and I asked my dad once if I could have one, but he said no, because you have to buy tons and tons of white mice to feed it. I said we could feed it my baby brother instead. He would last a long time if we chopped him up into little pieces. But my dad still said no.
      Dara doesn't let me play with my baby brother anymore, not since the time I unpinned his diaper when it was dirty and put it back on over his head with my dad's strong tape. I don't mind because it means she keeps the door to his room closed all the time and I don't have to smell it. It was funny when I did that, though. He made squeaking noises like an ugly rat and since he had a diaper on his head it didn't sound as loud when he started screaming.
      Amber Torrence's mom always buys her Lucky Charms. Dara does not buy them. When I slept over at Amber's house we ate Lucky Charms the whole time, and watched TV. There was a part on the news about a psychokiller who had already killed ten women.
      There's a famous guy named Jack the Ripper, Amber said, who killed a lot more than that. He lived in England and killed tons and tons of women.
      Did he kill any men? I asked.
      No, just women.
      Are there any psychokillers who kill men?
      Some, but none of them get famous.
      I didn't have to worry about my dad, then. I would not care if a psychokiller got Dara. I wondered if any of them killed babies, but I was sick of talking about psychokillers. It was late at night and we were sitting in Amber's TV room, where the couch is old and blue and has stains on it. We opened two cans of Coke and drank them. I floated marshmallows in mine from the Lucky Charms.
      Amber has a lot of animals. Besides the boa constrictor and the white mice, she also has an iguana lizard, an ugly cat with one ear, funny-looking fish in the basement and a bunny rabbit in her mother's room. Dara says we can't have any furry animals because of the baby. Amber's mom has a fat face, like my baby brother, and a lot of the time Amber has to feed smelly food to the animals (except the boa constrictor that eats mice) because her mother forgets to. Sometimes she forgets to bring Amber to school. Amber doesn't say anything to her on those days because our teacher is Mr. Sussman and we hate him. He calls us, the gurrrrls. I like what we do in school, and I am really good at math and spelling and pretty good at writing, but I don't like to be there when Amber is not.
      One time Amber came to my house, but only one time. Dara doesn't like her. Amber didn't like the food Dara made for dinner, and Dara didn't like how Amber came and helped me beat up my baby brother. That child is sick, is what Dara said, and my dad said if Dara got too upset then Amber couldn't come to our house anymore. I am still allowed to go to her house, though.
      Do you think Mr. Sussman is the psychokiller? Amber said suddenly.
      Yes, I said. He just teaches at school so people won't think so. At night he goes out and he wears all black and carries a knife and stabs people to death.
      No, that's not what it said. It said he strangles them with wires.
      Last Christmas my uncle bought me a Barbie doll. I told him, no thank you, but my dad made me take it anyway. It was ugly. Karen in my class likes Barbies. Mr. Sussman likes Karen. He calls her Karen, not, the gurrrrl. When Karen grows up she wants to work in a Barbie doll factory. I don't know what I want to be when I grow up. Amber says there is a famous movie that she saw on TV one night when she was bored called Thelma and Louise. It is about two women who are friends and drive across the country and shoot people. I'm not sure I want to do that. Maybe I will invent something, something better than Barbie dolls.
      It is funny that Amber's mom has a fat face, because Amber is skinny. Amber and I are the skinniest kids in our class. There is a fat boy in our class named Miller. He is so fat that both Amber and I could fit inside him and there would still be room. Sometimes he is nice, though. Mr. Sussman calls him Big Mil, and that makes me mad. Teachers should not do that. So sometimes I talk to Miller when he is not being a bully, even though he is fat. Sometimes Amber and me let him play games with us on the playground.
      Dara wants me to go see a doctor. I know because I heard her talking to my dad about it in their bedroom. It was after I used my dad's strong tape to put my baby brother on the wall. When I heard her saying that, I went into the room and said, I already have a doctor and a dentist and they're enough, but maybe the baby needs another doctor that will give him sixteen shots every day. Dara said, That's what I mean. That's exactly what I mean. My father said, Go to bed, so I left their room. They had left my baby brother's door open by mistake, so I went in and poked him a couple of times with my finger, but he didn't wake up, so I went to my room, where it didn't stink so much.
      Amber said, Do you want to let the boa constrictor out of his cage?
      Yeah.
      Amber's mom was in bed, and we went downstairs, where all the animals (except the bunny rabbit that lives in Amber's mother's room) are. The boa constrictor doesn't really have a cage, it has a big glass aquarium with a lid made out of screen, and that's what we took off. It looked around like it was noticing that there was something different.
      One day when Mr. Sussman was being really stupid and Miller was being really nice, Amber and me taught Miller our secret game. It was fun to have three people because then Amber and I could hide together and run together, and also you can always hear when Miller is coming anyway because he's so fat. Because we could always hear him coming, neither of us got killed, which was kind of boring, but one time he did get really close. We were hiding under the bridge of the jungle gym, and since there are always people walking over it, it didn't sound much heavier when Miller came. Amber and me were talking about people to play this game with when we were being the psychokillers instead of Miller, and suddenly he looked down at us and we screamed.
      The boa constrictor was even longer than I thought it was. It slid out of the cage and onto the table, and then off the table. It stared at the cage of white mice for a long time, its black tongue going in and out and in and out. Then it slid away and towards the stairs.
      It can't go up the stairs, Amber said. If it goes up the stairs it'll wake up my mom.
      She opened the front door behind it and when it felt the hot air it lifted up its head. Then it turned around and crawled past me and Amber and through the doorway.
      Make it go to my house, I said. I imagined when Dara was gardening on the front lawn, she would see the boa constrictor looking at her from under the bushes. She would scream and drop her dirty gloves on its head, and the dirt would get in its eyes and it would get angry at her. Very angry.
      We went out and closed the door behind us to make sure it didn't go back into the house, and we watched while it went straight down the front path. Tomorrow was trash-collection day, so when the boa constrictor tried to go to the left Amber and I grabbed trash bags and put them out to block its way and make it go to the right instead, where my house was. It was midnight and I didn't want to go much further out, but while Amber stood still I followed the boa constrictor to the corner and looked to make sure no cars would come and run over it. I wanted it to get there. It was going the right way now, so I knew it would. I followed it a few more steps, and the sidewalk hurt the bottoms of my feet, because I wasn't wearing any shoes. I turned around and looked at Amber, who was standing by the magnolia tree in her next-door neighbor's yard, and we walked back to her gate together. Before we went in, I looked over my shoulder. It was so dark that I already couldn't see the boa constrictor anymore.

Gemma C.


After the Eulogy

I waited to give my condolences.
Stood against the wall, uncomfortable
in too-light khakis.
Then you caught me in your formal embrace.
A puffy parka, appropriately gray,
hid your breasts.
Selfishly I slipped,
with a coy left hand,
six nesting cups,
silver glinted, into the reaches of your pockets.
Not quite half-shots.


They could have shone dully
on the wet rocks and incidental earth
tossed down with a hollow thud.
Later,
I kissed your wet cheek and felt out of place.
In the draft of the doorway
you called me an old man
for my sentiment
and said unwittingly,
through salty mouthfuls of lox,
that you wouldn't give them back.

Danny S.


Soft Spot



Hanging by the vines of grapes in summer
thawing to the point of disenchantment
tears hardened in the back of a four-wheeler
the fervent marks of warm air and heated ardor
the stains left by wrestlers who tackled from behind
the aftermath that should have been
being held in the crevices of an elbow
in the arc of the neck
the prompt brisk hug
the rocking of the feet, indentation of toes on heavily carpeted floors.
The pitifulness of the severed moment not because of expectation
but because of the all-too-customary encounters with boys that
only exist later on paper and in minds.


They breathe like blowfish, cheeks expanded
eyes widened, bodies stand still.
Open like the seas they extend their arms
displaying clearly worked muscles and
hands coarse from the fondling of girls and basketballs.
But there is that spot, that region in the palm
that remains soft, remains intent on the purpose
of holding mother's hand, of empathizing.
It is with this that we beg to be touched.

Sophie S.


      I noticed his dog looking up at me from the dirt and grime of the sidewalk. He was sitting outside a deli, where people bought pastrami and cheese and rye bread. Where I went for frozen yogurt in the summer and coffee in the winter. I paid the man hardly any notice. I only saw his dog, a german shepherd, with his fur and former greatness worn away by nights spent on the street. Beside the dog was his faithful master, bundled in blankets and with a cap pulled over his ears. I stepped around them to push the door open and enter the shop.
      When I walked out of the deli, hot coffee in my hand, I heard a voice below me. “Excuse me, Miss.” I looked down at him, holding out his hand to me. “But you dropped this when you went in.” He held my keys in his left hand, and I was surprised at how clean his hand was. The palm of his hand was soft and white, his fingernails clear and shiny and evenly trimmed. I took my keys from him, grunting my thanks as I crossed the street. He lingered in my thoughts only while I checked to make sure that all my keys were there.
      I returned for coffee the next morning and was not surprised to find the two still there. The man smiled up at me as I walked past him and into the deli. I paused at the counter. Had I been rude? I wondered. I stood still, staring silently at the dish of egg salad. I should have been more courteous, I resolved, more polite. He had been kind. I had been unfair. I decided to fix the situation and I pushed through the door without my coffee. I smiled down at the man, looking towards his face. He seemed not to notice. “Good morning,” I said as I passed, but he did not respond. I waited to cross the street, frustrated. Maybe he was resentful because I had not responded to his smile. But I did reciprocate, I reminded myself. I greeted him, while he had not spoken to me. I continued across the street, passing various coffee shops and delis, but I had forgotten that I wanted coffee. I had done no wrong, I kept telling myself until I passed through the subway turnstile, stepped onto the train and opened my newspaper.
      I came back to the deli that evening for my forgotten coffee. From across the street, I noticed the man playing with his dog. They were still there. I wondered if they had left their spot all day, or if they just waited there. When I neared them, I nodded my head. “Good evening.” He said nothing. I passed into the deli, furious that the man had ignored me again. I demanded a cup of coffee and paid the clerk only after searching through my pockets for that last nickel. I hurried past the man and his dog, not wanting to offer myself again. Just as I stepped onto the pavement, I heard something from behind. A “goodbye,” maybe, but it could just as easily have been a soft cough or a deep breath. Which was it? Too deliberate to be a cough, I told myself, but probably too quiet, too hushed, to be a word either. I must have offended this man somehow. He could speak, he had spoken, but that was before my offense. I had to resolve the situation, I decided. Tomorrow I would go back to the deli and approach him directly. I would not be vague, I would thank him again for my keys and for his kindness, and all would be forgiven.
I arrived at the deli, punctually, prepared for my appointment. Crossing the street, I realized that he was not there. The man was gone. His dog was also gone. I looked up and down the block, surveying the sidewalk for a man, bundled in blankets and wearing a cap over his ears. I looked for his german shepherd whose coat was worn away, but I did not see him either.

Alex M.


An Early Guest

Scrubbing the stain
I will it to be clean.
Now a dark spot spills out
Onto inches of tablecloth
Behind the fresh jar of marigolds,
As Morning pays a visit.
First she murmurs at the sill,
Prodding the shutters with her glowing fingers,
Then climbs through the window,
To lay a plump golden toe
On my dining room carpet.
She is on time
(As always),
Clearing the air inside this package
A room so tightly wrapped in wall paper.
Her lemon honey face and spiral locks ripple,
As she points a long yellow index finger at my knuckles,
Still clutching the dishcloth,
She laughs at my struggle with the shadow,
As the last sleep drips from my lids.

Christina Porter


Along surreptitious ivy lanes,
court walks,
path-leaders,
youth with big teeth,
youth who aren't looking at you
and who wear sweaters and have clean haircuts.
Kids with bangs.
Guys in khakis.

I don't know where I fit in. and I
  think, in the gangly pale evening light,
I will stay home.
Because Hannah is the end. The end-all and my Savior. How could I live without
her and me?
Fresh,
           frozen fish greet me
on my walk.
I have rock-rambled,
long lanes leading through orange hay fields.
It is October. The scarecrow throws its eyeball at me.
I eat the turkey. With a nod to my mother.
Fifteen years is long enough to wait: I eat meat for her.

I have lived in putty messes of red clay huts. I have slipped down some big hill.
           And all I can say is, I'm two-eyed, one-stomached, breathing Hannah.
And neither today, nor tomorrow will what you say matter in the light of that.
           Brown, green-eyed Joe. Happy, happy.

Hannah M.